In recent months, the Left has begun congratulating itself on rediscovering class with its Occupy Wall Street protests. Yet, a glance at the original poster in Adbusters that kicked off the movement should raise doubts. The irony is that this Photoshopped image of a ballerina surmounting sculptor Arthur Di Modica’s iconic symbol of Wall Street, Charging Bull, struck very few protestors as ironic. Ballet is perhaps the most expensive and aristocratic of all performing arts, having attained classical perfection under the patronage of the Czars. Ballet would wither without the rich.
But that’s the point of much Leftism in the 21st Century: to assert one’s expensive cultural refinement over the hicks.