The last thing I had expected of Dinesh D’Souza’s first Michael Moore-type political documentary, 2016: Obama’s America, was that it would prove one of August’s aesthetic delights. Yet this anti-Obama film’s sumptuous digital cinematography—featuring majestically saturated colors and handheld camerawork that’s never jittery but instead swoops indolently to the edge of trance-induction—ranks it behind only Oliver Stone’s hedonistic drug flick Savages as the psychedelic movie of the summer.
August 29, 2012
From my movie review in Taki's Magazine:
Read the whole thing there.