Judging Skaters and movie Directors: How could those Russian pairs skaters beat the Canadian couple? How could Baz Luhrmann's Moulin Rouge earn a Best Picture Oscar nomination, but old Baz be denied a Best Director nomination? How come the Olympic judges hate Elvis Stojko, the skater with the most masculine charisma ever? I answer these burning questions here.
February 15, 2002
Judging Skaters and movie Directors
February 14, 2002
Salt Lake City Olympics "Bribery" Scandal
February 13, 2002
St. Valentine's Day and Eve Ensler
That's Steve Sailer "evolcon," not "evilcon," dammit!
February 12, 2002
Feminist Patriotic Chauvinism and the Winter Olympics
Feminist Patriotic Chauvinism - Ah, the Winter Olympics bring back memories of one of the funnier American fads of the last decade: the periodic whoop-tee-doos where we all swell up with national pride over an American women's team winning gold in some sport that practically no other county's women bother to play. Do you recall the vast outpouring of corporate image ads celebrating our Women's Ice Hockey Team's gold medal in the last Winter Olympics? Of course, there were only five other teams in the field, and three of them would have been slaughtered by a Boys 7 and Under Pee-Wee squad from Medicine Hat.
Or, think back to the ecstasy over the first Women's World Cup of soccer. We'd beaten the world! When it was pointed out that the rest of the world didn't much care about women's soccer, well, that just made us even prouder of how progressive our society is, compared to those notoriously oppressed women of Paris, Milan, and London, who haven't been taught to turn in their high heels for soccer spikes!
After each spasm of interest, the poor women athletes come home and set up a domestic pro league, which rapidly loses 99% of the public's interest, because, basically, the best women aren't anywhere near as good at sports as the best men, so what's the point in watching them unless they are kicking some foreigners' un-American butts?
But there's so much quick cash to be made from these frenzies of feminist patriotic chauvinism that you can expect to see them continually pop up in the future. I'm looking forward to the Women's Super Bowl, where our female football players will triumph over the evil women of Iceland 77-3 in the Finals. And there shall be great rejoicing upon the land.
February 11, 2002
Schwarzenegger's Collateral Damage.
My Review of Schwarzenegger's smart and geopolitically sober Collateral Damage.
Enormous Surprise: Arnold Schwarzenegger's movie about a fireman hunting down the terrorist who murdered his family is the #1 movie in the country! Who coulda thunk that the public would want to see such a thing? Well, for several months Hollywood didn't, for reasons that I dissected recently.
The critics have almost universally slammed Arnold's Collateral Damage, but for wildly contradictory reasons: It's outdated! It's too current! It's typical Arnold! It's not typical Arnold! It's too pro-American! It's too anti-American! It's a dessert topping! It's a floor wax! (Reviews are collected at RottenTomatoes.com.) Did anybody actually watch the movie before they decided what they were going to write? (I did - here's my review.)
The truth is that as an action movie, Collateral Damage won't make anybody forget Terminator 2. Still, despite staying within the bang-bang-boom-boom confines of the genre (a genre I, like many people, enjoy), it's the smartest, most even-handed Hollywood portrait of the Colombian nightmare since Clear and Present Danger. (Here's the review of a leftist critic who actually sort of gets it.) In fact, it's probably too thoughtful to make big bucks.
This demonstration that contemporary film critics are bigoted ignoramuses regarding the real world makes the news of the death of my role model, Richard Grenier, particularly saddening. In his legendary reviews in Commentary, Grenier demonstrated that movies were worthy topics for his vastly learned and skeptical intelligence. (Click here for his monumental demolition job on Gandhi.)