Weekend of violence claims 10 shooting victims across Chicago
March 19, 2012
By Liam Ford, Peter Nickeas and Rosemary Sobol
At least 10 people were killed, including a 6-year-old girl, in shootings over the weekend in Chicago.
Weekend of violence claims 10 shooting victims across Chicago
March 19, 2012
By Liam Ford, Peter Nickeas and Rosemary Sobol
At least 10 people were killed, including a 6-year-old girl, in shootings over the weekend in Chicago.
Chávez Strengthens Cuban Ties With Plan for Ice Cream Factory
Venezuela, one of Cuba’s closest allies, announced a plan to produce a favorite brand of Cuban ice cream domestically.
The Trayvon Martin case has justifiably generated an enormous volume of commentary. One of the most interesting aspects of this commentary is the difficulty people have had in grappling with how to categorize George Zimmerman, the shooter. At first, he was described merely as “white.” This allowed the case fit nicely into the paradigm of Black-White race relations. A black teenager is shot and killed by a gun-toting, white vigilante, and the white police chief leading a police force with a troubled racial past declines to recommend charges against the shooter.
Then it came out that Zimmerman’s mother is Latina (she’s Peruvian). His photo (at least to me) reveals a man who looks mestizo. And yet commentators are reluctant to give up the white label. In an article this morning, the New York Times describes him as a “white Hispanic.” James Fallows says the case “involves the shooting of a young black man by a young white man, and the failure of the white-run Southern police department to take any action against the killer.” Others emphasize Zimmerman’s white half and suggest that it’s the half that matters more. These efforts show how confusing the Latino category is to traditional American racial tropes, particularly when we are talking about a case like this one that pushes all of our pre-civil rights buttons. ...
I get that Zimmerman’s supposed “whiteness” is part of what sells this story as a cause celebre for a great many people. And I’m not trying to insert myself into a debate about how people ought to be describing Zimmerman. As a Latino, what I find interesting about the case is what it reveals about the resilience of the black-white racial paradigm in our culture. Several decades into the explosion of the Latino population, and we are still trying to figure out what to do with Latinos and, for the most part, still struggling to shoe-horn Latino racial identity into those two boxes.
Brazil police hunt 'blonde kidnap gang' in Sao Paulo
Brazilian police say they are hunting a gang of mostly blonde young women who have committed a series of kidnaps and robberies in Sao Paulo. The criminals have been targeting wealthy women in shopping centres, Sao Paulo's anti-kidnap police unit says.
The victims are followed to their cars, where they are robbed and held captive at gunpoint while the gang uses their credit cards to make luxury purchases. Police said the "blonde gang" consisted of young, educated, middle-class women. Sao Paulo civil police anti-kidnap division chief Joaquim Dias Alves told BBC Mundo: "One or two speak more than one language, and some have been educated overseas.
"They are really pretty girls, well-dressed and made up," he said. The gang tend to target women who look similar to them, so they can assume the victim's identity while they use their credit cards.
They are thought to have been operating for three years, and to have robbed at least 50 people.
There was no question that “Mad Men” would get around to the civil rights movement. From the start, racism was the carbon monoxide of the show: a poison that couldn’t always be detected over the pungent scent of cigarettes, sexism, anti-Semitism, alcoholism, homophobia and adultery, but that sooner or later was bound to turn noxious.
That promise was made in the opening scene of the premiere episode of Season 1. The first face on screen is a black one in profile, that of a waiter carrying a tray of cocktails across a bar crowded with white, mostly male customers. ...
It’s the show’s willingness to put its characters in the context of the times, and not whitewash the white men, that gives it an edge and keeps a drama that in its fifth season has gotten — let’s face it — a little old and soapy, interesting to watch. Particularly at this moment, when the case of Trayvon Martin, the Florida teenager killed by an armed neighborhood watch volunteer, has become a heated cause, the 1960s look a lot like prologue.
Don and his colleagues are flip, self-centered and oblivious, no different from the many privileged Americans who stood on the sidelines and averted their eyes. They are the ones who ended up on the wrong side of history and whose testimony is usually left out of the textbooks, like the bourgeois Parisians who collaborated — faute de mieux — during the Nazi occupation, the South Africans who welcomed cheap labor under apartheid or the cadets who set fire to the clothes of the first female cadets admitted to the Citadel military college.
While watching Mad Men, Weiner affords us ample opportunity to congratulate ourselves on how much progress we’ve made. For example, most of the black characters in Mad Men have servile jobs. Today, of course, things are infinitely better. Black men are seldom seen in servile jobs (unless they are African immigrants or gay). In fact, black men aren’t seen in any jobs as much anymore: ten percent of black men were out of the work force in Don Draper’s 1960 versus 24 percent in booming 2000. Indeed, black men aren’t even seen at all as much anymore because a million are now locked away in prison. (The incarceration rate of black male high school dropouts was one percent in the Bad Old Days of Dwight Eisenhower’s last year in office versus 25 percent in Bill Clinton’s glorious finale.)
The kicker to the joke is that Mad Men, despite being set in New York, is filmed in LA, where Latinos have been imported in vast numbers to fill the servant jobs that today’s upper-middle class whites no longer trust blacks with. Yet Hispanics are even more invisible to the Hollywood elite today than blacks were then.
Rindermann, H., Flores-Mendoza, C. & Woodley, M. A. (2012). Political orientations, intelligence and education. Intelligence, 40(2), 217-225.
Highlights:
• Intelligence is an attribute of a “burgher” worldview and lifestyle.
• Intelligence works via insight, self-interest, and ethical and cultural effects.
• Intelligence had a positive impact on having a political opinion.
• Intelligence had a positive impact on political centrality.
• Education promoted orientations more to the left.
Abstract:
The social sciences have traditionally assumed that education is a major determinant of citizens’ political orientations and behavior. Several studies have also shown that intelligence has an impact. According to a theory that conceptualizes intelligence as a burgher (middle-class, civil) phenomenon – intelligence should promote civil attitudes, habits and norms like diligence, order and liberty, which in turn nurture cognitive development – political orientations should be related to intelligence, with more intelligent individuals tending towards less extreme political orientations. In a Brazilian sample (N=586), individuals were given the Standard Progressive Matrices (SPM) and a questionnaire measuring age, sex/gender, income, education and political orientations. Firstly, intelligence has a positive impact on having any political opinion. Among persons with opinions those with the highest IQ’s were found to be politically center-right and centrist respectively. The relationship held after correcting for gender, age, education and income. In a path-analysis, only intelligence had a positive impact on political centrality, whereas education promoted orientations that were farther from the center. These results are discussed in the context of results from other studies in different countries and in the context of different theoretical models on the relationship between political attitudes and IQ.
Metropolitan, the 1990 dramedy about a group of chivalrous preppies whose debutante ball after-parties are so articulate and decorous that they might have driven J. Alfred Prufrock to throw a TV out the window like Keith Moon trashing a hotel suite, earned auteur Whit Stillman the appellation “the WASP Woody Allen.” Stillman, who wrote for The American Spectator when young, developed a cult following among rightist intellectuals because of his out-of-the-closet political and cultural conservatism....
Since Metropolitan, however, the indefatigable Allen—who famously claimed that eighty percent of success is showing up—has released twenty films versus the defatigable Stillman’s two. Finally, though, Stillman’s first movie in almost fourteen years, Damsels in Distress, will be arriving in NY and LA on April 6th.
I don't read novels. I prefer good literary criticism. That way you get both the novelists' ideas as well as the critics' thinking.
Well, the past is gone, so we might as well romanticize it.
Christopher Eigeman on Disney's Lady and the Tramp: What's the function of a film of this kind? Essentially as a primer on love and marriage directed at very young people, imprinting on their little psyches the idea that smooth-talking delinquents recently escaped from the local pound are a good match for nice girls from sheltered homes. When in ten years the icky human version of Tramp shows up around the house, their hormones will be racing and no one will understand why. Films like this program women to adore jerks.
On WASP declinism: Take those of our fathers who grew up very well-off. I mean, maybe their careers started out well enough, but just as their contemporaries really began accomplishing things, they started quitting—'I’m rising above office politics,' or refusing to compete and risk open failure . . . or gradually spending more and more time on . . . conservation or the arts, where even if they were total failures no one would know it.”
Killings Could Stall Election’s Nationalist Turn
By STEVEN ERLANGER
PARIS — The Jewish school in Toulouse that was terrorized by an unknown gunman on a motorbike will reopen on Wednesday as a statement of courage and continuity. The hundreds of mourners who filled the stone courtyard of the palatial redbrick town hall there on Tuesday morning, joining others across the country in a moment of silence, will return grimly to their daily lives.
But the political debate around the shootings, and whether the deaths of an instructor and three young children were somehow inspired by anti-immigrant political talk, is likely to continue — both as a weapon in the presidential campaign and as a more general soul-searching about the nature of France.
No one is suggesting that the French presidential campaign inspired a serial killer to put a bullet in the head of an 8-year-old Jewish girl. The candidates largely suspended their campaigning and uniformly condemned the killings, as well as the murders of three French soldiers — two Muslims and a black man — apparently by the same man.
But in a period of economic anxiety, high unemployment and concerns about the war in Afghanistan and radical Islam, the far right in Europe has made considerable gains, even in essentially liberal democratic countries like Denmark, Sweden, the Netherlands and France.
And in the middle of a long and heated presidential campaign, with President Nicolas Sarkozy trying to win back disaffected supporters who have drifted to the far-right National Front party, the shootings at Toulouse have raised new questions about the tone and tenor of the debate here about what it is to be French.
A debate on the role of immigration, assimilation, halal butchering, street prayers, the full veil and other elements of cultural difference is inevitably about French identity — and the nature of tolerance and intolerance. ...
Police hunting a gunman suspected of killing seven people in southern France have surrounded a flat in Toulouse.
The man, named as Mohammed Merah, 24, a Frenchman of Algerian origin, has said he belongs to al-Qaeda and acted to "avenge Palestinian children".
Police are negotiating with the man, who is still said to be armed but says he may give himself up this afternoon.
Two police officers were injured in exchanges of fire during the raid and there are reports of a fresh blast.
The suspect's brother is under arrest.
The suspect's mother, who is Algerian, has been brought to the scene, but Interior Minister Claude Gueant, who is in attendance, said she had refused to become involved as "she had little influence on him".
The minister said the suspect had made several visits to Afghanistan and Pakistan.
Mr Gueant, at the scene, said the suspect had shot at the door when police arrived
"He claims to be a mujahideen and to belong to al-Qaeda," Mr Gueant said.
"He wanted revenge for the Palestinian children and he also wanted to take revenge on the French army because of its foreign interventions."
The man shot at the door after police arrived, Mr Gueant said, injuring one officer in the knee and "lightly injuring" another.
French media have linked the suspect to a group called Forsane Alizza (Knights of Pride) that was banned by Mr Gueant in January.
They also say the suspect had earlier been arrested in Kandahar, Afghanistan, for unspecified, but not terrorist-related, criminal acts and also has a criminal record in France.
The BBC's Hugh Schofield in Paris says investigators report that the suspect was identified because of an e-mail message sent to his first victim about buying a scooter.
The message, sent from the suspect's brother's account, set up an appointment at which the soldier was killed, sources told AFP.
The man had also sought out a garage in Toulouse to have his Yamaha scooter repainted after the first two attacks. A scooter was used in all the attacks.
In recent months, the Left has begun congratulating itself on rediscovering class with its Occupy Wall Street protests. Yet, a glance at the original poster in Adbusters that kicked off the movement should raise doubts. The irony is that this Photoshopped image of a ballerina surmounting sculptor Arthur Di Modica’s iconic symbol of Wall Street, Charging Bull, struck very few protestors as ironic. Ballet is perhaps the most expensive and aristocratic of all performing arts, having attained classical perfection under the patronage of the Czars. Ballet would wither without the rich.
But that’s the point of much Leftism in the 21st Century: to assert one’s expensive cultural refinement over the hicks.
If you choose not to self-identify your race/ethnicity at this time, the federal government requires the state to determine this information by visual survey and/or other available information.Then, down in the small print at the bottom:
For agency HR use only:
_ AV (Asian or Pac. Islander –Visual assessment)
_ BV (African American – Visual assessment)
_ HV (Hispanic – Visual assessment)
_ IV (Native Amer. or Alaskan Native – Visual assessment)
_ WV (Caucasian – Visual assessment)
Second: You can make a tax deductible contribution via VDARE by clicking here. (Paypal and credit cards accepted, including recurring "subscription" donations.) UPDATE: Don't try this at the moment.
Third: send money via the Paypal-like Google Wallet to my Gmail address (that's isteveslrATgmail.com -- replace the AT with a @). (Non-tax deductible.)
Here's the Google Wallet FAQ. From it: "You will need to have (or sign up for) Google Wallet to send or receive money. If you have ever purchased anything on Google Play, then you most likely already have a Google Wallet. If you do not yet have a Google Wallet, don’t worry, the process is simple: go to wallet.google.com and follow the steps." You probably already have a Google ID and password, which Google Wallet uses, so signing up Wallet is pretty painless.
You can put money into your Google Wallet Balance from your bank account and send it with no service fee.
Or you can send money via credit card (Visa, MasterCard, AmEx, Discover) with the industry-standard 2.9% fee. (You don't need to put money into your Google Wallet Balance to do this.)
Google Wallet works from both a website and a smartphone app (Android and iPhone -- the Google Wallet app is currently available only in the U.S., but the Google Wallet website can be used in 160 countries).
Or, once you sign up with Google Wallet, you can simply send money via credit card, bank transfer, or Wallet Balance as an attachment from Google's free Gmail email service. Here's how to do it.
(Non-tax deductible.)
Fourth: if you have a Wells Fargo bank account, you can transfer money to me (with no fees) via Wells Fargo SurePay. Just tell WF SurePay to send the money to my ancient AOL email address steveslrATaol.com -- replace the AT with the usual @). (Non-tax deductible.)
Fifth: if you have a Chase bank account (or, theoretically,other bank accounts), you can transfer money to me (with no fees) via Chase QuickPay (FAQ). Just tell Chase QuickPay to send the money to my ancient AOL email address (steveslrATaol.com -- replace the AT with the usual @). If Chase asks for the name on my account, it's Steven Sailer with an n at the end of Steven. (Non-tax deductible.)