www.iSteve.com/05FebB.htm#Fight.Club.Atta.911
                             More         on "Fight Club:" The 1999 Brad Pitt - Edward Norton fable         about underground bare-knuckle brawling clubs evolving into a private         army of anarchist terrorists is one of the more intellectually         stimulating movies of recent years. Readers write:
                              
                             The         great James         Bowman demolished Fight Club some years ago: for some of the         same reasons you now criticize it. He hinted at the most devastating         critique, which is that the filmmakers' view of masculinity is totally         impoverished, insofar as they seem to believe that the quintessential         male feature is animal violence when in fact, as most of our great         cultural artifacts attest, the quintessential male feature is the desire         to create, the desire for a man to, as Chesterton once put it, impose         "his will upon the world in the manner of the charter given him by         the will of God."
           *
            
           Bowman         makes the usual conservative mistake of throwing out the baby with the         bath water: "I think the film is vile, therefore I'm not going to         waste any more grey matter wondering why so many young men worship the         film."
           *
            
           I         think the genius of "Fight Club" is precisely in how it         resolves its "revolution": by pointing out how ridiculous it         is... I think it actually gives some insight to "movements"         like Al Qaeda - Osama Bin Laden's fantasies of a global caliphate, in an         Islamic context, have the same attraction to disaffected males that         Tyler's [Pitt's] nihilism does in the movie.
       
        In fact, part of the true genius of the movie is the fact that most         viewers completely misunderstand it - they see Tyler as a true prophet,         and miss the fact that the Narrator has to reject him and his fantasies         in order to grow up...  It might be the most misunderstood work         since "The Catcher in the Rye", in which Holden in the last         few pages comes to realize that he can't maintain his adolescent         rebellion forever, and that he can't keep kids from growing up by acting         as a "Catcher in the Rye" (which image is based on Holden's         misunderstanding of a Robert Burns poem - something that is pointed out         to him in the novel) I guess any such work will be seen by adolescent         fantasists as confirming their view of the world - since, from the         fantasist's perspective (like the conspiracists') , EVERYTHING does...
           *
            
           Fight         club is the ugliest spirited movie I have ever seen. I didn't buy into         the macho teenage crap from the opening scene. It is an evil movie with         evil values.
       
        Because there are no acceptable masculine outlets for young men they         turn to the most violent and reprehensible ones.  If all         expressions of masculinity are unacceptable, then why not go for the         most violent and ugly.
           *
                              
                             In         regards to your review of Fight Club: While I agree with your         conclusion, I'm wondering if one can overlay another theory on top of         yours: the growth of the service sector economy. It seems to me that men         have an underlying distaste for being service-oriented employees, shall         I say, "system administrators." Men seem to prefer         "task-oriented" jobs that don't entail endless hours of         brown-nosing and hand-holding. Women, of course, seem to love being         administrators, which seems to explain why Ed schools are packed to the         gills with them.
                             *
                              
                             I         saw it a few days after 9-11. For a New Yorker, the ending was a bit         tough to take so soon after the WTC was destroyed. Knocking down office         towers didn't feel "cathartic" in late September 2001.
       
        But the movie was amazing. And I don't think it was dishonest at all         about what these guys are revolting against:
        
           TYLER         [Pitt]
        If you could fight anyone, who would you fight?
        JACK [Norton]
        I'd fight my boss, probably.
        TYLER
        Really?
        JACK
        Yeah, why, who would you fight?
        TYLER
        I'd fight my dad.
        JACK
        I don't know my dad. I mean, I know him, but he left when I was like six         year old. Married this woman, had more kids. He did this like every six         years. Goes to a new city and starts a new family.
        TYLER
        He was setting franchises. My dad never went to college, so it was         really important that I'd go.
        JACK
        Sounds familiar.
        TYLER
        So I graduate, I called him a long distance and asked: "Dad, now         what?", he says "Get a job".
        JACK
        Same here.
        TYLER
        When I turned twenty five, my yearly call again "Dad, now         what?", he says "I don't know, get married!"
        JACK
        I can't get married, I'm a thirty-year-old boy!
           TYLER
        We're a generation of men raised by women. I'm wondering if another         woman is really the answer we need.
            
           And         the guy with the breasts [Meat Loaf plays a bodybuilder who gets         testicular cancer from steroids]? It's not like the fact that the movie         is a fantasy of masculine revolt against a feminine civilization is         exactly hidden under the surface of a movie about hating consumerism.         Fight Club is not Supersize Me.
       
        And watching the movie not long after 9-11 was clarifying. Mohammed Atta         *was* a Space Monkey, after all: a nerdy little guy who compulsively         shaved his body hair, revolting against feminized, alienating modernity         in the name of a primal masculinity, and doing so through an act of         horrific violence comprehensible only as grotesque theater. Fight Club         was prophecy: the goddamned Space Monkeys started World War IV.
           *
            
           Masculine         leadership charisma and the young male urge to form hierarchies of         purpose, whether for destruction or creation, is one of the most         important subjects in world history, but we lack a vocabulary to talk         about it these days. So, when a movie comes along that takes on the         subject directly, it can be electrifying.
            
           I'm         reminded a little of the movie that I tend to think was the greatest         film of the 1980s, even though it was one of Steven Spielberg's rare box         office bombs: "The Empire of the Sun." It's about the horrors         of the Second World War as told from the perspective of a young English         boy interned by the Japanese outside Shanghai, to whom the war isn't         horrible at all: it's a blast.
            
           Lt.         General James Mathis recently got into hot water for saying:
            
           "Actually,         it's a lot of fun to fight. You know, it's a hell of a hoot...It's fun         to shoot some people. I'll be right upfront with you, I like         brawling." The general went on to say: "You go into         Afghanistan, you got guys who slap women around for five years because         they didn't wear a veil. You know, guys like that ain't got no manhood         left anyway...So it's a hell of a lot of fun to shoot them anyway."
            
           Thank         God we have men like this on our side. Too bad the other sides have lots         of guys like this as well.