More journalists are starting to read Sen. Barack Obama's  elegant autobiography Dreams from My Father: A Story of Race and Inheritance  all the way through and ask questions. (My big article in  the 3/26/07 American Conservative  on Obama's first 33 years is now in the online edition.) 
The contrast between the suave master politician we see on screen and the  racially traumatized young man described in his autobiography remain a mystery,  one that needs to be solved before the 2008 election. We elected a pig in a poke  President in 2000 and are paying the price today. With George W. Bush, we at  least had the excuse for not making the effort to understand him that he turns  out to be not very interesting to understand -- he's Chauncey Gardiner with a  mean streak and some Daddy issues. Obama, in contrast, is a man of parts, a  superior individual who rewards investigation.     
Here's a new article from the LA Times:
  Obama classmates saw a smile, but no racial turmoil 
 His Hawaii peers had no idea of the inner conflict his memoir describes. They  recall a happy kid who fit in. 
 By Richard A. Serrano   
 Today, Obama is a campaign sensation, in part because he is seen as the first  black presidential candidate who might be able to reach beyond race, building  support among Americans of all backgrounds. 
 That capacity does not surprise the students who knew Obama at Punahou School,  which carefully nurtured a respect for diversity. "We had chapel sessions on the  Bahai faith, Islam, Judaism, and all forms of Christianity," said Bernice G.  Bowers, a classmate. "The message was that diversity made for a richer  community." 
 Dressed like other boys in the required collared shirts and khaki pants, Obama  was one of a small number of blacks, but the student body included large numbers  of kids with Chinese, Japanese, Samoan and native Hawaiian ancestry, as well as  many whites. "We didn't think about his blackness," said Mark Hebing, who went  to school with Obama for eight years… 
 Punahou was where Obama first awakened to these issues, and to the complexities  of being black in America. In his bestselling memoir, "Dreams From My Father,"  he writes that during his time at the school — from fifth grade through his high  school graduation in 1979 — he felt the first stirrings of anger toward whites.  He says he also delved into black nationalism. He also experimented with  marijuana and occasionally cocaine, which were prevalent in the '70s but  presented what Obama in his book calls special dangers for young black men. … 
 Obama says that as he found his way in the world, he learned there were limits  to the desirability of advertising his race. "People were satisfied so long as  you were courteous and smiled and made no sudden moves," he writes in "Dreams."  "They were more than satisfied; they were relieved — such a pleasant surprise to  find a well-mannered young black man who didn't seem angry all the time." 
 Certainly Obama's classmates had little sense of what he says was going on  beneath the surface. "His reflections about the race issue surprised all of us,"  said Kellie Furushima, who knew him well. "He gave no indication of feeling  uncomfortable in school, and I never witnessed or heard anyone being unkind to  him.   [More]     
So, what's the story with  Obama? 
Here's one possibility I've kicked around. I've known a fair number of people  who have battled depression, paranoia, and other emotional problems. During the  bad spells, they can't remember their past happiness, just disturbing incidents  that they string together to make up a story about how they've always been  depressed and/or oppressed. Dreams from My Father resembles the kind of  depressive's literature that psychiatrist Peter D. Kramer has pointed out is so  common that it has become our expectation of what fine writing is like. A  cheerful artist such as Nabokov seems like an anomaly to us. 
On the other hand, I've never heard of any evidence for Obama being emotionally  unstable … other than his own autobiography. Looking at his resume, he seems to  have motored along through his career nicely, dotting every I and crossing every  T so that at age 45 he's a serious candidate for President. 
There is little market these days for a literary first novel, but a large one  for "memoirs" of unhappy young people, so the publishing industry has been  channeling creative writers into claiming a degree of veracity for their efforts  that has led to numerous scandals, such as the exposures of A Million Little  Pieces and The  Heart Is Deceitful Above All Things as hoaxes. Obama's not that  creative, but perhaps Dreams from My Father should be read as an  autobiographical novel rather than as an autobiography? 
My published articles are archived at iSteve.com -- Steve Sailer
 
 
 
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6 comments:
Like Bush, he says he gave up the coke long ago. But he still "needs" those two packs of cigarettes a day.
The other poster made a good point about Obama's father. Remember that the apple doesn't fall far from the tree. Obama clearly identifies with that crazy bigamist and con man.
"Dotted every i and crossed every t."
It's called The Will to Power. Look it up.
Is that, by the way, your way of damning with faint praise Obama's prose skills? "He can write!" :)
anonymous writes:
"...there are reports that "mulattoes"-mixed race people-are more violent and prone to diturbing behavior..."
Got a citation for this?
So, what's the story with Obama?
Could it just be a little bit of good old-fashioned race and poverty pimping à la Jesse Jackson and Al Sharpton?
If Obama gets the Democratic nomination, the Republicans will sift through every detail of his book, find something that he can't prove, call it a lie and then try to get Americans to believe he's a liar.
~ Risto
The creative community should be supporting John McCain. Barack Obama has given direct support to Shepard Fairey, a visual artist who is a known international copyright violator. Obama has had direct contact with Shepard Fairey and has sent Shepard Fairey letters praising his activity and art even though dozens of art organizations are against artists like Shepard Fairey and others who support the Orphan Works bill. This connection needs to be exposed. Where does Obama stand on the rights of artists when he supports Shepard Fairey who has violated the work of Mederos and others?
The media keeps trying to paint McCain as being a copyright violator by the songs his campaign has played, but McCain is not directly behind the choice in the songs and in every case so far the campaign bought the rights to use the songs and were nice enough to not use them upon finding out the thoughts of the artists behind them. Obama continues to use the service of Shepard Fairey even though artists have demanded him to stop and to be clear on his position with the Orphan Works bill. Obama has been silent. He won't answer!
How is it out of touch when dozens of art organizations have spoken out against artists like Shepard Fairey and the potential of the Orphan Works bill being passed. Seems to me that the Obama campaign is out of touch with the needs of the creative community and that certain people in the creative community are going along with it just because they can't put their politics aside in order to honestly support the rights of artists.
You want truth?
http://lgwilliams.com/obama/obama_poster_challenge2.html
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