Conventional wisdom holds  that the more ethnically diverse a society is, the more "vibrant" its  cultural creativity.
This sounds plausible in theory, but down through history, the opposite is more  likely to be true. Periclean Athens wasn't as cosmopolitan as Alexandria or  Rome, and Fourteenth Century Florence was full of Italians but not much else,  and so forth. Right now, America is more diverse than ever, but it sure doesn't  seem as creative as it was for most of the 20th Century.
So, what's wrong with the standard theory that cultural diversity increases  creativity by making it easier to borrow good ideas from other cultures?
Well, perhaps cultural diversity makes it too easy to borrow. Why go through the  hard word of creating when you can just borrow? Necessity is the mother of  invention, and diversity reduces the necessity of inventing your own amusements.
Consider racially homogenous Liverpool, England in the early 1960s. Some  Liverpudlian youth loved this new-fangled rock 'n' roll music invented in the  Mississippi River Valley in the 1950s. If there had been an African-American  community in Liverpool, the white kids would have employed the black Americans  to play music for them to dance to. But there weren't any African-Americans in  Liverpool, so the white kids had to make their own.
Consider everybody's favorite slam-dunk case for diversity: cuisine. And, yet,  what's never mentioned is that all those wonderful foreign cuisines themselves  evolved in conditions of relative cultural homogeneity and isolation. The  problem is that if you have a lousy cuisine, you can do one of two things:  improve it or borrow somebody else's. The more easily you can borrow, the less  incentive you have to fix.
Or, how about excellence in basketball? For the second straight years, Steve  Nash, a white Canadian, just won the NBA  Most Valuable Player award, while Dirk Nowitzki, a white German, once again  finished third in the voting. Yet, no white American has even finished in the  top 10 in the MVP voting since John Stockton way back in 1995. Shouldn't playing  against African-Americans make white basketball players better? Well, it hasn't  quite worked out that way. Apparently, it's more conducive for the development  of talent for young white basketball players to grow up in white countries where  they don't have to compete with so many black players when they are starting  out.
My published articles are archived at iSteve.com -- Steve Sailer
 
 
 
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